Jamies Wang

Rita Lino

Nadav Kander

In 1974, Joseph Beuys did a performance called I Love America, and America Loves Me where he lived in a gallery with a wild coyote for seven days as a symbolic act of reconciliation with nature. In 1996, Tracey Emin lived in a locked room in a gallery for fourteen days, with nothing but a lot of empty canvases and art materials, in an attempt to reconcile herself with paintings. Viewed through a series of wide-angle lenses embedded in the walls, Emin could be watched, stark naked, shaking off her painting demons. Starting by making images like the artists she really admired (i.e. Egon Schiele, Edvard Munch, Yves Klein), Emin’s two-week art-therapy session resulted in a massive outpouring of autobiographical images, and the discovery of a style all her own. The room was extracted in its entirety, and now exists as an installation work.
Tracey Emin
Exorcism of the Last Painting I Ever Made (detail)


Andre 3000

"Ok, hand over the cure and stop playing"

Tracey Emin’s studio 

A lady collecting rainwater in West Bengal, India, in 2012
Photo credit: Prasanta Biswas